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Showing the single result

  • 6.70
    front cover with image of children in the streets of east end

    City Kids London 1973-1975 Two Cafe Royal Books

    £6.70     Add to basket

@Barbican_City_of_London
The mighty, abstract concrete “spomeniks” are uniq The mighty, abstract concrete “spomeniks” are unique not just in their vaunting ambition to render in concrete, stone, metal and other materials the horror, the courage and the endurance of people’s resistance against Nazism but that Yugoslavia under Tito, a relatively short-lived unified country, shared a common concept of how to express the inexpressible. This is Spomen-Dom, the Memorial House in Kolašin Montenegro, 1971-75, architect Marko Mušič. The building is defined by a dramatic roofscape of interlocking pyramidal forms inspired by the steep roofs of traditional mountain houses in northern Montenegro. In 2015 American Donald Niebyl happened on Belgian photographer Jan Kempanaers’ images of incredible memorial sculptures the likes of which he never could have imagined. He was instantly captivated and did all he could to learn more about them. These forms were communicating a huge amount of symbolic language and history from a region that to him seemed hopelessly out of reach. Determined to learn about the history of these works, who created them, why were they created and why were they situated in such remote locations. Donald then travelled to the former Yugoslavia between jobs to see the monuments for himself. Tracking the locations consisted largely of scouring Google Map satellite images until he spotted them. During his first trip in 2016, Donald found about 50 spomeniks, which he meticulously documented while friends he made along the way helped with the history, translating inscriptions and deciphering symbolism. This was the beginning of the @spomenikdatabase Link to book in our bio
Let’s start talking about architect Ernö Goldfinge Let’s start talking about architect Ernö Goldfinger, this is one of his ‘ greats’, Trellick Tower (add in Balfron and Willow Road, but that would be ignoring the varied and amazing career of a man who transcended one world to become fully entrenched in another. An architect, furniture and toy designer, he was born in Budapest to a family in the lumber business which led to Ernö spending his early years deep in the heart of the Austro-Hungarian Empire in Szaszregen, Transylvania in the Carpathian Mountains and in the Austrian Alps. When he was ten, Ernö was brought back to Budapest to be educated and later continued his studies in Vienna. By the time he’d finished school, the Empire had collapsed, the family had moved to Vienna, there was an assumption he would study engineering and remain close to home. Paris Instead, he headed to Paris in 1920 to study at the École des Beaux-Arts. He hung out with the best, Man Ray, Lee Miller, Max Ernst and more, visiting every important exhibition, including the 1925 Exposition. Goldfinger entered design competitions, ingested the Parisienne cultural vibe and revelled in the best of the city during les années folles; it was here that his political views became fully formed or perhaps another way of thinking of it, Paris was the place where he publicly defined himself as communist, at least in name ….. Link to full article in bio. This brilliant video was created by @fieldmotionn
Room with a view - the beauty of the brutalist Bar Room with a view - the beauty of the brutalist Barbican Estate

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