Charles Correa’s Ahmedabad Cricket Stadium aka the Sardar Vallabhbhai Patel Stadium is a win for any lover of concrete, brutalist architecture and a wonderful place to see an early example of the work of an architect described by RIBA as ‘India’s Greatest’.
In the world’s most populous democracy, India, the most popular sport by a long, long way, is cricket. It’s described as an ‘Indian game invented by the English” and is played everywhere. On any scrap of level ground, cricket will be played, children dreaming of the fame and success of being one of the “Men in Blue”, a member of the national team. So a cricket ground is of immense importance, its function almost religious and a commission to design one a signal honour.
“There is something about looking up and seeing light – I think the tilt of your head awakens some primordial instinct. Perhaps it was the fear of Jove hurling down thunderballs” Charles Correa
When Zurich based Swiss-Italian architect, Carlo Fumarola found himself in India, armed ‘with a simple Canon Powershot G11’ he grabbed the moment to take these photos of Charles Corea’s iconic stadium. Carlo’s photos are like a technicolour Post-it Note reminding us to check out Correa’s wonderful creativity, and how he translated his love of traditional Indian design and craft ensuring that his buildings reflected his respect for both old and new ideas over a career spanning sixty years.
We asked him what most struck him about the design and impact of the stadium;
Do you have any thoughts about how the experience is of watching the nation’s most-loved sport in comparison with the experience we have when we go to a modern-day stadium?
Charles Correa was born into a Roman Catholic family in India, he studied architecture at the University of Michigan and completed his Masters at MIT, where he was taught by Buckmeister Fuller. He returned to India to open his own practice after working briefly with B.V. Doshi, completing the Ahmedabad Cricket Stadium in 1960. He once again returned to American academia in 1962 to accept a professorship at MIT. A renowned architect and urban planner, it is not by chance that he came to be considered the father of modern Indian, post-Independence architecture. He was honoured and recognised at home and abroad and his legacy of hundreds of projects includes the Gandhi Memorial Museum, innovative low-cost ‘tube’ housing, Jawahar Kala Kendra, the British Council building in Dehli and a return to his alma mater MIT to design the Brain and Cognitive Science Complex. In New York, his design for the Indian Permanent Mission to the UN ensured that an immediate impact of Indian craft was felt, care of his use of red granite and huge timber doors from Rajasthan.
Indian Mission to the UN New York
“What I’ve learned, living here in India, is that the most wonderful traditional solutions exist which exemplify all the concerns of the environmentalist today. We don’t have to invent these things again.”
-Charles Correa, in an interview with the BBC
Correa’s interest in Urban Planning led him to accept the role of Chief Architect for the new planned city of Navi Mumbai (New Bombay) from 1970-75 and later the commission by the Peruvian Government to help design the PREVI ‘Proyecto Experimental de Vivienda’ housing community, this would have been the perfect project for a man whose life-long focus was to find a solution to the desperate need for low-cost housing. That is not to say he did not accept commissions for luxury homes. Correa’s long and successful career has left a rich legacy and his archives are held, by his request after his death in 2015, at RIBA in London and at the Charles Correa Foundation in Goa. His deeply held beliefs and his sense of connection between land, culture and the people is best captured here:
International recognition saw him awarded the RIBA Royal Gold Medal in 1984, Japan’s Praemium Imperiale, the Chicago Architecture Award from the AIA, the UIA Gold Medal from the Union of International Architects and the Aga Khan Award for Architecture. In 1984 he founded the Urban Design Research Institute in Mumbai and a year later he became Chairman of the National Commission for Urbanisation. In the midst of such glittering prizes its wonderful to pull back and return to the Ahmedabad Cricket Stadium, a simply perfect design.
We asked Carlo about how he took the photos of the cricket stadium;
‘The photos were taken rather as snapshots really. Sometimes the kids walked in the pictures and I thought it was funny so I included them’ He explains, ‘Photography is an important part of my profession. Often I use the photographs as reference material when designing a new building’. This is one I took later on the same day in Ahmedabad of the CEPT University by renowned Indian Architect B.V. Doshi who did work at one point with Correa.
You’ll know that we’re always intrigued by home town stuff of featured photographers. So we had to ask about Zurich
‘Zurich is a miniature metropolis with many post-1950s architectural gems, it sometimes, in the best of ways, has the feeling of a village. At the moment the city is experiencing rapid growth due to a growing population. More precisely in 2040 Zurich will have 20% more citizens and that demand for extra housing is already reflecting in new urban developments. Social housing is the key topic at the moment and that’s feeding into architectural discourse’.
You travel widely – any standout buildings and favourite architectural styles?
The architect you most admire?
And your next adventure?
‘A coastal round trip around Italy with my ’77 Vespa TS’
Note to self from Greyscape…. this is the perfect holiday
Carlo Fumarola can be found at http://www.carlofumarola.ch/
On Instagram www.instragram.com/carlo1978
All images are Copyright of Carlo Fumarola
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