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    Brutalist Calendar 2024

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@Barbican_City_of_London
Corbusier’s Chapelle Notre Dame du Haut, Roncham Corbusier’s Chapelle Notre Dame du Haut, Ronchamp built on a the ruins of a neo-gothic Catholic pilgrimage site. Strategically located on a hill above the town, it was at the centre of two battles, during and post war. During bitter fighting in September ’44 German troops occupied the chapel. By the time they’d lost the battle the site was in ruins. In February ‘45 rebuilding plans began. According to Richard Stockton Dunlap, in the early stages it was the persistence of local cleric, François Mathey, an inspector in the Historical Monuments Society who ‘had a keen eye for an opportunity’ that helped get the project off the ground. A battle was raging at the heart of the French Catholic Church - which bishops would survive a post war purge of the those who had taken a pro-Vichy government stance and those who would not. The local bishop had been a supporter of Marshal Pétain. The chapel offered an opportunity to re-focus. Local and nationally acclaimed architects submitted designs, however progress was hampered by the differing opinions of religious factions. This opened the pathway for the atheist Corbusier to be invited to visit the site early in 1950 and to receive the commission that spring. Music was intended to play an important role in the sensory experience of visitors, Corbusier’s intention was to maximise amplification of sound. Olivier Messiaen, a high profile French composer was asked to create a piece for the June 25th 1955 inauguration. However things didn’t go to plan on the day and the electric generator broke down. The original bold idea had been to build an ‘electro-acoustic’ campanile. Corbu is known to have discussed this with Edgar Varèse who a few years later composed ‘Poème électronique’ for the Corbusier designed, Philips Pavilion for Expo 58. Unfortunately there was no budget left for this. However the idea of the campanile did not disappear and one was added in the 1970s by Jean Prouvé It’s two most recent additions have been Monastery St Clare, home to 15 nuns and a visitor’s centre, both designed by Renzo Piano in 2011. In 2016 the site received UNESCO World Heritage listing. Photo by @alixlibeau
Look at this together with the previous post to ge Look at this together with the previous post to get the sense of the whole. We could have titled these photos, “ In Celebration of the Cantilever”; to suspend a weight of concrete with such apparent effortless ease. If you glory in the cantilever, share snaps of your favourite examples. Photo with thanks to @derek_swalwell
Brutalist or …? The ‘place where the sun sets’ on a large expanse of concrete ‘where every beam is supported by the previous one and supports the next one’ This is Hemeroscopium House, built by the architect Antón García-Abril with his architectural practice, Ensamble Studio (2005-2008). In an interview with Icon Magazine he also noted that more than just a family home ‘… it has also become our laboratory – we are living and experiencing the structures that we are using and the research that we were developing in the office. And we are receiving first-hand information, because usually as architects we only have reports of how our buildings behave.” Photo with thanks to @derek_swalwell

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